《雙城記》讀后感
認(rèn)真讀完一本著作后，相信大家都有很多值得分享的東西，讓我們好好寫(xiě)份讀后感，把你的收獲和感想記錄下來(lái)吧。但是讀后感有什么要求呢？以下是小編收集整理的《雙城記》讀后感，供大家參考借鑒，希望可以幫助到有需要的朋友。
《雙城記》讀后感1
誠(chéng)如《雙城記》開(kāi)篇所言:“那是最好的年月，那是最壞的年月；那是智慧的時(shí)代，那是愚蠢的時(shí)代……”那個(gè)年代，英法兩國(guó)處于激烈的動(dòng)蕩之中，貧困與富有，野蠻與文明交相輝映。每個(gè)人仿佛都是一個(gè)矛盾體，在希望與絕望中掙扎著前行。
那個(gè)年代，苛捐雜稅剝削著下層貧農(nóng)，他們像螻蟻一般卑微地活著，饑餓使他們不顧一切，像狗一樣tian食著街邊小坑中傾灑的紅酒。他們麻木冷漠，眼睜睜看著劊子手對(duì)自己的同胞行兇；他們又jiqing澎湃，婦女也可以拿起斧頭砍下剝削者的人頭�？此埔靶U的他們，堅(jiān)持著自己的底線和原則，為每一個(gè)勝利而相擁，敬愛(ài)著他們心中的英雄。
那個(gè)年代，公侯伯爵的地位至高無(wú)上，如查爾斯公爵一般，住著豪華城堡，吃著精美食物，言行舉止彬彬有禮，被人尊稱為紳士、爵爺，儼然是經(jīng)過(guò)文明的洗禮，禮教的熏陶�？删褪沁@樣一個(gè)高貴的人，任由仆人駕著馬車(chē)橫沖直撞，在壓死德法日的孩子后不?家還耍僅丟下一枚金幣后便揚(yáng)長(zhǎng)而去。他會(huì)在心里盤(pán)算著如何殺光那些反抗自己的人，為了金錢(qián)和地位，任何卑劣的手段都可以使用?
整個(gè)英法社會(huì)仿佛籠罩在陰沉的氣氛中，亂世用重典，處死是各行各業(yè)流行的法子，砍下頭顱，開(kāi)膛破肚，以各種血腥與暴力的行徑去結(jié)束一個(gè)人的生命，看似正義的.革命群體，也會(huì)以自由之名去做罪惡的事情，許多無(wú)辜的人因此喪命�？删褪窃谶@種恐怖與死亡威脅著的地方，也有許多真善美存在。洛里先生對(duì)朋友無(wú)限真誠(chéng)，達(dá)奈看不慣剝削而放棄地位和財(cái)富，卡頓為了深?lèi)?ài)的露西選擇失去生命，馬內(nèi)特醫(yī)生在飽受磨難后濟(jì)世懸壺。
野蠻與文明本就難以分明，這或許就是那個(gè)年代的交響樂(lè)。革命者以野蠻的行徑去創(chuàng)造一個(gè)文明的社會(huì)，正如書(shū)中所言：“裸著身軀的少女在血污中翩翩起舞”，英法兩國(guó)就是在這樣極度的矛盾中迎接著一個(gè)又一個(gè)黎明。
《雙城記》讀后感2
A tale of two cities is one of Dickens's most important representative works.The novel profoundly exposed the society contradiction before the French Revolution,intensely attacks the aristocratic social class is dissolute and cruel,and sincerely sympathizes with the depressed classes.The novel also described many magnificent scenes like the revolt people attacked Bastille and so on,which displayed people's great strength.
The novel has portrayed many different people. Doctor Manette is honest and kind but suffers the persecution actually ， Lucie is beautiful and gentle ，Charles is graceful and noble，Lorry is upright and honest ，Sydney is semblance of indifferent, innermost feelings of warm,unconventional but also selfless and lofty，Miss Pross is straightforward and loyal，vremonde brothers are cruel and sinister......The complex hatred is hard to solve, the cruel revenge has made more hatreds, loves rebirth in the hell edge,but take the life as the price.
As an outstanding writer,in Dickens's work,the language skill is essential.ach kind of rhetoric technique,like the analogy,the exaggeration,the contrast,the humorous,and the taunt are handled skillfully,and the artistry of the work is also delivered the peak.A tale of two cities has its difference with the general historical novel, its character and the main plot are all fictionalizes.With the broad real background of the French Revolution,the author take the fictional character Doctor Manette's experience as the main clue,interweaves the unjust charge, love and revenge three independences but also incident cross-correlation stories together,the plot is criss-crossed,and the clue is complex.The author use narrates,foreshadowing,upholstery and so many techniques,causes the structure integrity and strictness,the plot winding anxious and rich of theatrical nature,it displayed the remarkable artistic skill.the style A tale of two cities is solemnity and melancholy,fills indignantion,but lacks the humor of the early works.
《雙城記》讀后感3
A tale of two cities is one of dickens's most important representative works. Long before writing a tale of two cities, dickens is very concern on the French revolution, reread the British historian, Carlyle's “French revolution” and other scholar's related works. His strong interest of the French revolution began in the British lurking at the time the concerns of the serious social crisis. At the end of 1854, he said: “I believe that dissatisfaction like smoke fire up worse than, this special like the public before the French revolution for the first time, it's danger, for one thousand kinds of reasons, such as poor harvest, the nobility of bossy and incompetent the already tense situation last to defeat in war, overseas and domestic events and so on -- into that have never seen a terrible fire.” Visible, a tale of two cities of the historical novel creation motive sees, in the history of the French revolution experience for reference, to the bell of the ruling class; At the same time, through the extreme portrayal of the revolutionary terrorist, also to harbor resentment, attempting to violence against the tyranny of the masses, warned that fantasy for the status quo of social contradictions increasingly deepen to find a way out.
Starting from this purpose, the novel profoundly revealed before the French revolution deeply intensified the social contradictions, strongly criticized aristocracy dissolute brutal, and deep sympathy for the lower people's suffering. Work pointedly said, the people's patience is limited, under the cruel rule of the noble class, the people under the livelihood, is bound to fight. This kind of resistance is justice. Novel in people's uprising against the bastille, etc, was also depicted spectacular scenes, shows the great power of the people. However, author station on the bourgeois humanitarian grounds, namely against brutal tyranny which oppressed the people, people also objected to revolt against the tyranny of the violence. In Charles Dickens, the revolution is portrayed as a great disaster of destruction, it ruthlessly punish evil gentry class, also kill innocent people blindly.
The novel created three types of characters. Category is urban Mr Monte marquis brother as a representative of the feudal aristocracy, they only unshakable philosophy is “oppression”, is the author of pain and flay object. Another kind is to cut stone couples, such as the revolutionary masses. It must be pointed out that their image is distorted. Such as cutting stone wife, Diana, she was born in peasant, insulted, persecution of the feudal nobles with great hatred, the author deeply sympathize with her misery, really appreciated her strong personality, before and after the revolution, excellent talents and extraordinary leadership ability; But when revolution is further thorough, a pen and put her as a ruthless, fierce, narrow avenger. Especially when her to the doctor house raids dasey, “and the path is characterized by more bloodthirsty men. Finally, the author let her die under his muzzle, makes it clear that the negative attitude. The third kind is ideal character, the author thinks to humanitarian resolving social contradictions, in order to love overcome hatred, including speech, father and daughter, darnay, unquestioned and Carl's, etc. Meini, the doctor is marquis brother may have caused the destruction of the marquis brother with great hatred, but for the sake of her daughter's love, can abandon the old feud hate; Darnay is marquis brother's sons and nephews, his big end, condemn the sin of his family abandoned the rank of nobility and property, are determined to ”sin“ with their own actions. This to reflect the character of each other, one is the victim of the aristocratic tyranny and tolerance for pregnant; One is the successor to the noble marquis, advocate benevolence. Among them, more as a daughter and wife ”. Hold in the bond of love, they form a mutual understanding, emotion harmonious happy family. This is obviously the author thought a violent revolution and the opposite way out of resolving social contradictions, is unrealistic.
A tale of two cities is different from general historical novel, its character and the main plot are imaginary. During the French revolution broad real background, the author clues to give priority to with fictional characters meini, doctor's experience, the unjust charge three independent each other, love and revenge and interconnected stories interweave together, intricate plot, intricate plot. The author take the flashbacks, interleave technique such as, stage, bedding, make the novel complete structure, tense and dramatic plot twists and turns, showed excellent artistic skills. A tale of two cities style solemn, depressed, etc, but the lack of humor early works.
《雙城記》讀后感4
這一次，至少要讓大家知道，有一個(gè)叫做卡爾頓的人存在過(guò)。
—題記《雙城記》
笑這個(gè)詞在我們的心中絕不陌生，從出生，成長(zhǎng)到死亡的每一天，我們都能遇到各種各樣的笑容，歡笑，苦笑，微笑，狂笑…而其中，最讓我難忘的就是《雙城記》中卡爾頓于刑場(chǎng)上的微笑。
《雙城記》由狄更斯所著，主要記敘了法國(guó)大革命前后和英國(guó)社會(huì)的社會(huì)情況，本書(shū)圍繞曼內(nèi)特醫(yī)生一家在革命中的悲慘遭遇展開(kāi)，謳歌了愛(ài)與善。
卡爾頓便是書(shū)中的一位角色，在書(shū)中，他生活邋遢，擁有一定的律師才華，他悲觀，頹廢，失意，酗酒，總是很憂郁，并且不樂(lè)意與人打交道，但就是這樣一個(gè)人，為什么最后卻能綻放出令人目眩神迷的微笑…
因?yàn)槟鞘且陨T成的笑容啊﹗
在書(shū)中，卡爾頓為了心愛(ài)的女子露西能和其丈夫幸福的生活，他決定假扮成露西丈夫受死刑，使露西丈夫得以和露西團(tuán)聚，自從下了這個(gè)決定卡爾頓在我心中的形象就開(kāi)始改觀，書(shū)中的最后一幕，邢車(chē)緩緩地由遠(yuǎn)及近，冷血的群眾漠然旁觀著，卡爾頓與一個(gè)小婦人坐在同一輛囚車(chē)?yán)铮⑿χ酒鹕韥?lái)，為小婦人擋住人頭落地的血腥場(chǎng)景，小婦人眼含淚花的感激的說(shuō)：“若不是有你，親愛(ài)的陌生人，我也不會(huì)這么鎮(zhèn)定”，此時(shí)，卡爾頓的`笑容溫和寧?kù)o，給人以力量，卡爾頓微笑著說(shuō)：“親愛(ài)的孩子，用你的眼睛看著我，別的什么都不要想”邢車(chē)?yán)^續(xù)向前，我心中的故事卻至此結(jié)束，于是，在我心中這也成了一個(gè)沒(méi)有結(jié)局的故事。
主說(shuō)，復(fù)活在我，生命也在我，信仰我的人雖然死了，也必復(fù)活著；凡活著信仰我的人，必永遠(yuǎn)不死。
那該是怎樣的微笑��？
從他決定放棄生命救露西丈夫，他變得步伐堅(jiān)定。從容，難道人們竟因?yàn)榉艞壎兊糜赂�，擁有太多就變得膽怯？現(xiàn)在想想，那憂郁的微笑著的不就是現(xiàn)在的我嗎？那微笑中的堅(jiān)定、從容不就是我一直在尋找的嗎？正因如此，那微笑一直讓我難以忘懷。
可卡爾頓終究只是一個(gè)人，偉大的精神遇到暴x往往也無(wú)濟(jì)于事，但是，要緊的并非無(wú)濟(jì)于事，而是他敢于去做，哪怕前途一片黑暗，不難想象于刑場(chǎng)的卡爾頓先生難免兇多吉少，那為何他依舊勇敢向前呢？是故“有惡而大于死者，故不為茍德也”于是撩人心頭許久的問(wèn)題也“撥開(kāi)云霧見(jiàn)青天”，如果面對(duì)不可抵抗的、甚至可能需要犧牲生命的暴力與善想違背，你會(huì)選擇堅(jiān)持抵抗暴力還是躲開(kāi)善，在此，我想，卡爾頓先生已給了答案。
我們默默堅(jiān)守著愛(ài)與善，而面對(duì)我們的骨灰，高尚的人們將灑下熱淚…
《雙城記》讀后感5
《雙城記》這本書(shū)是出自英國(guó)作家———秋更斯之手。他還寫(xiě)過(guò)《霧都孤兒》《匹克威克外傳》等長(zhǎng)篇小說(shuō)和《圣誕故事集》《董貝父子》等短篇小說(shuō)。
這篇文章主要寫(xiě)了“復(fù)活”“金錢(qián)”與“暴風(fēng)雨蹤跡”，這三個(gè)故事，小說(shuō)以馬泰特醫(yī)生的曲折遭遇為線索，將冤獄，愛(ài)情與復(fù)仇三個(gè)對(duì)立又互相關(guān)聯(lián)的故事交織在一起，用壓迫和報(bào)復(fù)組成的一個(gè)故事。
故事中，梅尼特醫(yī)生從監(jiān)獄中重獲自由和女兒一起到倫敦生活。五年后，他們?cè)诜ㄍド蠟槊胁闋査�？代爾那的法�?guó)青年做證，露西和代爾那因相愛(ài)而結(jié)婚。1792年，法國(guó)大革命爆發(fā)，故事場(chǎng)景轉(zhuǎn)至法國(guó)。代爾那因身為貴族后裔而遭逮捕并判死刑，一直愛(ài)戀露西的英國(guó)青年西得尼？卡登替他上了斷頭臺(tái)。
卡登是書(shū)中最富魅力亦最復(fù)雜的角色之一。頹廢、消極，求學(xué)時(shí)，他只替同學(xué)寫(xiě)作業(yè)；出社會(huì)后，即使擁有一身才華，它仍然選擇為另一名律師工作。但是，在他冷漠的外表下，有著深深的溫柔。憑這一斛溫柔和對(duì)露西的愛(ài)，卡登做了一個(gè)意義重大的決定——-代替代爾那上斷頭臺(tái)——-用自己的生命換回另一個(gè)人的性命，換回一個(gè)家庭的'幸福和笑顏。這是卡登守護(hù)露西的表現(xiàn)，為愛(ài)而犧牲，這在那個(gè)大時(shí)代、甚至現(xiàn)代，是多麼高貴的舉動(dòng)！
有人說(shuō)，《雙城記》是描寫(xiě)了兩個(gè)男人和一個(gè)女人的故事，我卻覺(jué)得，這樣說(shuō)的人必定沒(méi)有了解作者真正想表達(dá)的意圖。
《雙城記》讀后感6
After reading A tale of twocitiesA tale of two cities is one of Dickenssmost important representative works.The novel profoundly exposedthe society contradiction before the French Revolution,intenselyattacks the aristocratic social class is dissolute and cruel,andsincerely sympathizes with the depressed classes.The novel alsodescribed many magnificent scenes like the revolt people attackedBastille and so on,which displayed peoples greatstrength.The novel has portrayed many different people. Doctor Manette ishonest and kind but suffers the persecution actually ， Lucie isbeautiful and gentle ，Charles is graceful and noble，Lorry isupright and honest ，Sydney is semblance of indifferent, innermostfeelings of warm,unconventional but also selfless and lofty，MissPross is straightforward and loyal，Evremonde brothers are cruel andsinister......The complex hatred is hard to solve, the cruelrevenge has made more hatreds, loves rebirth in the hell edge,buttake the life as theprice.As an outstanding writer,in Dickenss work,the language skill isessential.Each kind of rhetoric technique,like the analogy,theexaggeration,the contrast,the humorous,and the taunt are handledskillfully,and the artistry of the work is also delivered thepeak.A tale of two cities has its difference with the generalhistorical novel, its character and the main plot are allfictionalizes.With the broad real background of the FrenchRevolution,the author take the fictional character Doctor Manettesexperience as the main clue,interweaves the unjust charge, love andrevenge three independences but also incident cross-correlationstories together,the plot is criss-crossed,and the clue iscomplex.The author use narrates,foreshadowing,upholstery andso many techniques,causes the structure integrity andstrictness,the plot winding anxious and rich of theatricalnature,it displayed the remarkable artistic skill.the style A taleof two cities is solemnity and melancholy,fillsindignantion,but lacks the humor of the early works.
《雙城記》讀后感7
"這是最好的時(shí)候，也是最糟糕的時(shí)候。"《雙城記》的第一句話被引用了無(wú)數(shù)次。但是我想知道這句話的人不一定知道電影《雙城記》講的是什么樣的故事，也不知道他們?yōu)槭裁凑f(shuō)這句話。
如果你想理解這句話的原意，以及為什么說(shuō)要寫(xiě)這句著名的經(jīng)典句子，你必須自然地閱讀原文。
—簡(jiǎn)而言之，那個(gè)時(shí)代和今天非常相似。這句話實(shí)際上解釋了上述經(jīng)典句子的兩個(gè)問(wèn)題：為什么和對(duì)誰(shuí)？
這是這部電影誕生的原因之一。狄更斯想通過(guò)描述法國(guó)大革命帶來(lái)的災(zāi)難來(lái)表達(dá)他的擔(dān)憂，同時(shí)警告英國(guó)的危險(xiǎn)處境。一段革命歷史，兩座分別代表兩個(gè)國(guó)家的城市，以及一些動(dòng)蕩的人民，構(gòu)成了這一綱領(lǐng)的主要內(nèi)容。
雖然《雙城記》是一部經(jīng)典電影，但它在革命中的表現(xiàn)被認(rèn)為是作者的歷史觀，因?yàn)樗鞔_指出革命的背景是法國(guó)大革命。這是這部電影眾多爭(zhēng)議的焦點(diǎn)。狄更斯不僅用他的筆墨表現(xiàn)了貴族的殘酷，而且還表現(xiàn)了革命群眾的非理性毀滅。
他認(rèn)為，革命是一種取代另一種壓迫的壓迫，是一場(chǎng)直接而激烈的血腥暴力運(yùn)動(dòng)，是一場(chǎng)取代另一種血腥暴力的運(yùn)動(dòng)。對(duì)攻占巴士底獄和對(duì)公眾施暴的`一系列描述血腥、殘忍、狡猾和惡毒是這部電影最顯著的特點(diǎn)。
狄更斯用大量的筆墨來(lái)描述暴民的權(quán)利和權(quán)利，表現(xiàn)出他對(duì)暴民的仇恨，這在一定程度上可以說(shuō)是他對(duì)革命的仇恨。當(dāng)然，作為一個(gè)人文主義者，狄更斯也指出了拯救世界的良藥：愛(ài)。
這種愛(ài)體現(xiàn)在電影中，包括個(gè)人感情、愛(ài)情和友誼，以及拋棄貴族、拯救平民的友誼。其中，最精彩的是對(duì)卡頓愛(ài)情的描述。
我非常喜歡卡頓。事實(shí)上，卡頓是狄更斯的化身。狄更斯首先想到卡爾頓和他的一些精神，然后構(gòu)思了這部電影。
卡頓是什么樣的人？電影中描述道：“太陽(yáng)是悲傷和悲傷的，而極度悲傷和悲傷的冉冉站了起來(lái)。
它看到的風(fēng)景不比這個(gè)人差。他很有天賦，很有感情，但他沒(méi)有機(jī)會(huì)展示他的才華和感情。他不能做任何事，也不能尋求自己的幸福。
他知道問(wèn)題的癥結(jié)所在，但把它留給了一個(gè)偶然的機(jī)會(huì)，一年又一年地浪費(fèi)時(shí)間，幾乎所有的時(shí)間
這是一個(gè)因自我放縱而失去才華和青春的年輕人。他為什么愿意沉溺于自我放縱？這部電影似乎沒(méi)有任何解釋?zhuān)詮乃霈F(xiàn)以來(lái)一直如此，也沒(méi)有多少關(guān)于他家庭背景的描述。
被自己拋棄的悲觀主義者卡頓，當(dāng)他的朋友遇到困難，他心愛(ài)的女人的丈夫即將被送上斷頭臺(tái)時(shí)，突然出現(xiàn)了。當(dāng)他獲救時(shí)，他以自己的生命為代價(jià)救了他心愛(ài)的女人的丈夫。
這難道不是救了自己而死的姬度的愛(ài)嗎？事實(shí)上，電影中的卡頓死前確實(shí)用圣經(jīng)的口吻說(shuō)過(guò)，“復(fù)活在我里面，生命在我里面，相信我的人，盡管已經(jīng)死了，也會(huì)復(fù)活。無(wú)論誰(shuí)活著并相信我，都不會(huì)死。
這是狄更斯為“最糟糕的時(shí)期”準(zhǔn)備的藥，但它畢竟是一種理想。有人說(shuō)，如果沒(méi)有西德尼卡頓的存在和行動(dòng)，《雙城記》作為一部不朽的作品，將會(huì)失去它的價(jià)值和輝煌。我完全同意。
《雙城記》讀后感8
合上這本書(shū)，我覺(jué)得銀行家羅瑞和律師卡頓有太多的相似之處，他們倆其實(shí)是惺惺相惜的，只不過(guò)卡頓隱藏的更深，直到最后，羅瑞才發(fā)現(xiàn)卡頓是個(gè)有感情的人，可是其實(shí)自始至終，卡頓一直就看穿了羅瑞那壓抑的情感，因?yàn)樗砸彩沁@樣一樣將感情深深隱藏起來(lái)的人，所以他很能看懂羅瑞的心思。也正因?yàn)檫@樣，卡頓才能覺(jué)察這個(gè)一向以“辦公事”自居的銀行家的感傷。故事剛開(kāi)始時(shí)，卡頓就漫不經(jīng)心的、毫不客氣的戳中了羅瑞矛盾的內(nèi)心，當(dāng)時(shí)羅瑞對(duì)他的表現(xiàn)是氣憤的，而當(dāng)故事快結(jié)束時(shí)，他以真摯的口吻揭露公事公辦的人又有私情流露時(shí)，羅瑞感到的是意外，他看到了卡頓的另外一面，或者是卡頓本來(lái)的樣子。正因?yàn)樾市氏嘞�，卡頓最終才把轉(zhuǎn)移露西的`計(jì)劃托付給了羅瑞，因?yàn)樗麄兌际强孔V的人。
我們都是有才華、感情深厚的人，請(qǐng)不要因?yàn)橐粫r(shí)的不如意，而消沉了自己的意志，也不要沉迷虛幻，給自己戴上假面；我們應(yīng)該像卡頓一樣找到自己的光明，為之奮斗。我們也曾態(tài)度滿不在乎，也曾懶散輕蔑，也曾彷徨漂泊，也曾走投無(wú)路，但我們不能因此而沉淪，如果你沉淪了這將是最糟糕的時(shí)代，如果你為著光明兒奮斗，用才華和情感獲取幸福，這將是最美好的時(shí)代！
《雙城記》讀后感9
記得高中英語(yǔ)課本中有一篇雙城記的節(jié)選，描寫(xiě)的是貴族兄弟欺壓佃農(nóng)家的姐弟而致其慘死的故事。如今細(xì)讀了《雙城記》，得以一覽其全貌。僅憑那一段節(jié)選，完全想象不出它是一部氣象壯闊的歷史小說(shuō)。不踏遍整個(gè)河岸，你就無(wú)法欣賞一整條蜿蜒曲折、回旋奔騰的河流。
大作家狄更斯像一位高明的醫(yī)生，用他利劍一樣的筆鋒，對(duì)他所處的時(shí)代和社會(huì)進(jìn)行了深度的透視和掃描，他的作品是三維立體成像，有贊揚(yáng)，有批判、有反思。他像醫(yī)生一樣冷靜而理智地分析了當(dāng)時(shí)封建社會(huì)的病癥，成因及可怕的后果，意欲對(duì)他所處的美好而又糟糕的時(shí)代發(fā)出振聾發(fā)聵警醒之音。
狄更斯深刻地揭露封建王朝的現(xiàn)實(shí)癥候：侯爵大人喝一杯巧克力要四個(gè)壯漢服侍，稅收承包人的廳堂里坐著二十四個(gè)男仆，府邸里的醫(yī)生靠美味補(bǔ)藥而發(fā)了大財(cái)。而被老爺們稱為“老鼠”的貧民們，酒店的酒桶摔落街心形成一個(gè)小酒洼，他們爭(zhēng)相吸吮，連爛泥也一并吸走了。宮廷侯爵、長(zhǎng)官們患了假性近視，對(duì)這一切裝作視而不見(jiàn)，還勸慰窮人們，餓了可以吃草。
就在法國(guó)封建王朝那些坐食俸祿的權(quán)貴們堅(jiān)定地認(rèn)為江山永固的時(shí)候，時(shí)代的潰癰引起的失衡后果暴烈地發(fā)作了，富人們的寶氣香風(fēng)煽動(dòng)了遠(yuǎn)處圣安托區(qū)貧民們轆轆饑腸中的餓火，劍指腐朽沒(méi)落封建王朝的法國(guó)大革命風(fēng)暴像海嘯般席卷而來(lái)，憤怒的革命者把老爺們送上了他們自己親自建造的斷頭臺(tái)和絞刑架。
對(duì)這一切的成因，作家醫(yī)生給出了溫和婉轉(zhuǎn)的結(jié)論：顯然專(zhuān)門(mén)為老爺們?cè)O(shè)計(jì)的這個(gè)世界，一定是在做千秋萬(wàn)世的運(yùn)籌安排中，有其鼠目寸光的地方。但對(duì)于如何預(yù)防這可怕的病癥，作家沒(méi)有交待，可能也不是本書(shū)的`主旨。
小說(shuō)《雙城記》展現(xiàn)了作家狄更斯卓越的諷刺才能，其諷刺才能堪比德國(guó)詩(shī)人海涅。書(shū)中時(shí)見(jiàn)作家無(wú)情的嘲諷描寫(xiě)：在那個(gè)縱酒的時(shí)代，光是律師和他的助手兩人喝下的酒，足以浮起一艘皇家軍艦；臺(tái)爾森銀行大廳屋頂?shù)膼?ài)神丘比特畫(huà)像，從早到晚對(duì)著錢(qián)拉弓瞄準(zhǔn)；老貝利鬼門(mén)關(guān)審判廳里的看客們急切地爭(zhēng)相踮起腳尖，攀住壁架，腳下蹬點(diǎn)兒東西，為的是要把犯人從頭到腳看個(gè)仔細(xì)，假如犯人面臨的刑罰不那么可怕——就相應(yīng)地減少他的魅力了；侯爵老爺?shù)哪樕弦黄t暈，倒不是由于他自身的血色和高貴的血統(tǒng)有什么問(wèn)題，而是那西沉的落日余暉所造成的；鋸木工人表示如果有什么事妨礙午后邊抽煙邊欣賞國(guó)家剃頭匠的表演，那他就成了最寂寞的共和派。書(shū)中的辛辣的諷刺不勝枚舉，貌似夸張，實(shí)則形象，極大地增添了小說(shuō)的藝術(shù)魅力和感染力，使人讀后感覺(jué)像吃了一碗酸辣粉，大快朵頤、痛快淋漓、酸爽勁道，耐人咀嚼和回味。
《雙城記》書(shū)中多處借用現(xiàn)實(shí)景象進(jìn)行隱喻和暗喻，平添了作品的深刻和豐饒。書(shū)中使用最多的隱喻是編織——德法爾熱太太和婦女們一個(gè)個(gè)都在編織，她們?cè)诮烫玫溺娐暫突始倚l(wèi)隊(duì)的軍鼓聲中編織，黑夜里響起自由與生存的強(qiáng)烈呼聲時(shí)她們還在編織，她們編織革命、編織罪狀、編織索命薄、編織壽衣，而露西則在纏繞編織金線，把她的丈夫、父親、老管家都纏繞在歡樂(lè)恬靜的生活之中。另外常出現(xiàn)的隱喻是街角的回聲，有露西的父親和丈夫親切的腳步回聲，有巴黎狂亂危險(xiǎn)的腳步回聲，來(lái)來(lái)往往的腳步回聲，分明是近在咫尺，卻又永遠(yuǎn)逝去。杰里，一個(gè)底層迫于生計(jì)的盜尸人，被喻為封建王朝的掘墓人。
與小說(shuō)《日瓦哥醫(yī)生》相似，兩位不同時(shí)代的作家都發(fā)出了相同的冷靜的聲音：發(fā)生在這兩個(gè)國(guó)家的兩場(chǎng)革命都像洪水一樣來(lái)得那么迅猛而無(wú)章法，他們憐憫窮人們的悲慘，贊揚(yáng)革命者的浪漫和堅(jiān)定，但同時(shí)也呼喚人類(lèi)的同情和仁愛(ài)。他們也發(fā)出同樣的嘆問(wèn)：冤冤相報(bào)的機(jī)器何時(shí)停止！
小說(shuō)的結(jié)尾，作家在為愛(ài)情獻(xiàn)身的受難者卡頓寄托了自己的理想與希望，他惟愿舊時(shí)代的罪惡消失殆盡，別讓這些瘋狂而又危險(xiǎn)的腳步聲闖入露西的平靜而美好的生活吧！
在這個(gè)蟬噪、蛙鳴的夏天，讀上這本《雙城記》，又給你增添了夜鶯婉轉(zhuǎn)的鳴唱。
《雙城記》讀后感10
前些日子借了一本超厚的世界名著《雙城記》，看了幾章后，我決定還了它，實(shí)在沒(méi)意思，而且又看不懂，今天我借了它的減肥版，總算看完它了。書(shū)中人物其實(shí)很多，但人物的各種關(guān)系又是那么的令我意想不到，主人公是一個(gè)曾在巴士底獄當(dāng)了18年的囚徒馬內(nèi)特醫(yī)生，她的女兒露茜，他的女婿查爾斯…
英國(guó)和法國(guó)就是所謂的雙城，小說(shuō)的背景也就是法國(guó)大革命，我是學(xué)歷史的，關(guān)于法國(guó)大革命我是清楚的，聯(lián)系到小說(shuō)中，我真想問(wèn)一下，是真的嗎?
小說(shuō)嘛，多半是虛構(gòu)的，看完之后，給我的印象是：狠毒的.得法熱夫人，無(wú)辜的查爾斯，好得無(wú)話可說(shuō)的西得尼`卡登先生，忠心的女仆人小姐，熱心腸的賈維斯勞里先生
我對(duì)好人總有一種好感，對(duì)壞人總有一種厭惡感，不奇怪啊，每一個(gè)人都這樣，除非他是超級(jí)好人，對(duì)壞人存有仁慈的心，或者他是超級(jí)大壞蛋，對(duì)好人總有一種感覺(jué)，“他們好虛偽啊!”其實(shí)這也不奇怪的，事實(shí)就是如此嘛!一群虛偽的家伙。得法熱夫婦去找露茜。
原以為要幫她的丈夫查爾斯，其實(shí)是害了她的丈夫再次入獄，并且最終導(dǎo)致卡登先生的死.我本人覺(jué)得卡登先生很講義氣，重感情，他第一次見(jiàn)露茜就愛(ài)上她，即使表白遭到拒絕，但對(duì)她的愛(ài)仍不改變。
最后為了露茜能和她丈夫團(tuán)聚，為了露茜不再傷心流淚，他去監(jiān)獄和查爾斯調(diào)包了，用自己的命換了露茜的幸福，不能不說(shuō)他是令我最受感動(dòng)的一個(gè)人物。
《雙城記》讀后感11
《雙城記》是狄更斯最重要的代表作之一，由狄更斯在47歲時(shí)發(fā)表的作品，是他遲暮之年的巔峰之作。
小說(shuō)《雙城記》中艾弗勒蒙德侯爵兄弟的殘暴、搶占婦女、草營(yíng)人命等一系列行為與狄更斯提倡的人道主義精神背道而馳，像如此這般的惡魔勢(shì)力必遭到社會(huì)的唾棄，艾弗勒蒙德侯爵兄弟是當(dāng)時(shí)貴族的一個(gè)縮影，這樣有違人道主義精神的形象必定會(huì)被人民拋棄，正如小說(shuō)中法國(guó)大革命的瞬時(shí)爆發(fā)，就是法國(guó)統(tǒng)治者有違人道主義的必然趨勢(shì)，這鮮明的傳達(dá)了作者的人道主義思想。小說(shuō)中馬內(nèi)特醫(yī)生的以德報(bào)怨，為了自己女兒的幸福，將自己發(fā)之天性的對(duì)艾弗勒蒙德家族的憎惡壓制心底，用寬容寬恕的心態(tài)接納查爾斯，以及文中最后深?lèi)?ài)露西的卡頓為了露西的幸福代替查爾斯上斷頭臺(tái)，這一切無(wú)不體現(xiàn)狄更斯的人道主義思想。
《雙城記》以法國(guó)大革命為背景，透過(guò)貴族與平民之間的仇舊沖突，作者狄更斯傳達(dá)“鮮血無(wú)法洗去仇恨，更不能替代愛(ài)”的主旨，貴族的暴虐對(duì)平民造成的傷痛不會(huì)因?yàn)轷r血而愈合，平民對(duì)貴族的仇恨也無(wú)法替代對(duì)已逝親人的愛(ài)。
小說(shuō)深刻地揭露了法國(guó)大革命前深深激化了的社會(huì)矛盾，強(qiáng)烈地抨擊貴族階級(jí)的荒淫殘暴，并深切地同情下層人民的苦難。作品尖銳地指出，人民群眾的忍耐是有限度的，在貴族階級(jí)的殘暴統(tǒng)治下，人民群眾迫于生計(jì)，必然奮起反抗。這種反抗是正義的。小說(shuō)還描繪了起義人民攻擊巴士底獄等壯觀場(chǎng)景，表現(xiàn)了人民群眾的.偉大力量。作者站在人道主義的立場(chǎng)上，既反對(duì)殘酷壓迫人民的暴政，也反對(duì)革命人民過(guò)于極端的暴力。但《雙城記》備受爭(zhēng)議，因?yàn)樵诘腋构P下，失控階段的革命演變成了巨大災(zāi)難，狄更斯批判革命人民盲目屠殺，在憎恨貴族社會(huì)對(duì)他們殘酷壓迫的同時(shí)，自己也變成了一種畸形的社會(huì)階層，除了仇恨和報(bào)復(fù)，一無(wú)所有。
狄更斯反對(duì)濫殺無(wú)辜。他反對(duì)任何種類(lèi)的暴力，貧窮的起訴，或復(fù)仇的窮人盲人。他認(rèn)識(shí)到革命的思想的到來(lái)是不可避免的；但當(dāng)革命來(lái)臨，帶來(lái)許多可怕的情況和血腥場(chǎng)面，他轉(zhuǎn)而反對(duì)革命。狄更斯的態(tài)度從原先的識(shí)別革命到后來(lái)的否定形成了巨大的反差，但有一個(gè)一致的標(biāo)準(zhǔn)：就是反對(duì)暴力和濫殺無(wú)辜，并促進(jìn)了人文主義和愛(ài)。狄更斯主張非暴力社會(huì)改革家，他拒絕在暴力中革命。他認(rèn)為革命暴力不能解決根本問(wèn)題，而理性與寬容，善良和愛(ài)是要建立一個(gè)和平與和諧社會(huì)。
《雙城記》讀后感12
前些日子借了一本超厚的世界名著《雙城記》，看了幾章后，我決定還了它，實(shí)在沒(méi)意思，而且又看不懂，今天我借了它的減肥版，總算看完它了。書(shū)中人物其實(shí)很多，但人物的各種關(guān)系又是那么的令我意想不到，主人公是一個(gè)曾在巴士底獄當(dāng)了18年的囚徒馬內(nèi)特醫(yī)生，她的女兒露茜，他的。女婿查爾斯…
英國(guó)和法國(guó)就是所謂的雙城，小說(shuō)的背景也就是法國(guó)大革命，我是學(xué)歷史的，關(guān)于法國(guó)大革命我是清楚的，聯(lián)系到小說(shuō)中，我真想問(wèn)一下，是真的嗎？小說(shuō)嘛，多半是虛構(gòu)的，看完之后，給我的印象是：狠毒的得法熱夫人，無(wú)辜的.查爾斯，好得無(wú)話可說(shuō)的西得尼`卡登先生，忠心的女仆人小姐，熱心腸的賈維斯`勞里先生…
我對(duì)好人總有一種好感，對(duì)壞人總有一種厭惡感，不奇怪啊，每一個(gè)人都這樣，除非他是超級(jí)好人，對(duì)壞人存有仁慈的心，或者他是超級(jí)大壞蛋，對(duì)好人總有一種感覺(jué)，“他們好虛偽�。 逼鋵�(shí)這也不奇怪的，事實(shí)就是如此嘛！一群虛偽的家伙。得法熱夫婦去找露茜，原以為要幫她的丈夫查爾斯，其實(shí)是害了她的丈夫再次入獄，并且最終導(dǎo)致卡登先生的死。我本人覺(jué)得卡登先生很講義氣，重感情，他第一次見(jiàn)露茜就愛(ài)上她，即使表白遭到拒絕，但對(duì)她的愛(ài)仍不改變，最后為了露茜能和她丈夫團(tuán)聚，為了露茜不再傷心流淚，他去監(jiān)獄和查爾斯調(diào)包了，用自己的命換了露茜的幸福，不能不說(shuō)他是令我最受感動(dòng)的一個(gè)人物。
《雙城記》讀后感13
Today, I finally read the book of two cities by the British writer Charles Dickens. After reading this book, I was in a long mood.
Novels in the 18th century French revolution as the background, the story will be in Paris, London, link up the two big cities, a narrative horse nate doctor is full of love and adventure, interspersed with the noble's cruelty, people's anger, trial spy... It mainly reveals the social order of the British and French in that period, and the life of the nobles and the ordinary people.
The book focuses on the fact that poor Dr Manette, who had been imprisoned in the bastille for 19 years by the aristocracy, had his daughter taken to live in England. In court, the father and daughter met the French nobleman darley and the poor master carton. Later, manette's daughter Lucy and darley married, and after ten years of happy family life, caton also gave Lucy a promise to make Lucy happy.
The people living in poor and helpless, cold and hunger, the plight of poor sickness repeatedly, suffered oppression, their hearts a backlog of deep and deep hatred of nobility, finally triggered the French revolution to overthrow the regime, for freedom. After the outbreak of the French revolution, darley went to France to defend his innocent servant, but he was arrested for being a French aristocrat. And carton, in order to make the promise of lucie's life happy, used him to be similar to darley, and, before he was sentenced to death, he replaced him with Dudley, and replaced him with the guillotine.
The dark ages have passed, the days of hope and light have come, and the darkness is terrible! At first, the world belongs to the king, and later, the world belongs to the people. On July 13, 1789, the people stormed the bastille, where political prisoners were held; On January 21, 1793, the revolution brought king Louis xvi to the guillotine, which symbolized the end of feudal rule. On 20 February 1793, the first republic of France was established.
The 18th century, full of darkness and oppression, is gone, and the miserable life of the people is over. We have ushered in the 21st century, which is to be bathed in hope, and the long years from that era to today are as brief as they were yesterday. I think that the spirit of carton is worthy of our study, he is affectionate, he keeps his promise, in order to fulfill his promise to Lucy, at all costs, including precious life.
The people of today will never let history repeat itself, nor will history repeat itself. Let us live each day and make our 21st century more glorious!
《雙城記》讀后感14
《雙城記》是英國(guó)作家查爾斯·狄更斯所著的一部以法國(guó)大革命為背景所寫(xiě)成的長(zhǎng)篇?dú)v史小說(shuō)，情節(jié)感人肺腑，是世界文學(xué)經(jīng)典名著之一，故事中將巴黎、倫敦兩個(gè)大城市連結(jié)起來(lái)，圍繞著曼馬內(nèi)特醫(yī)生一家和以德法日夫婦為首的圣安東尼區(qū)展開(kāi)故事。小說(shuō)里描寫(xiě)了貴族如何敗壞、如何殘害百姓，人民心中積壓對(duì)貴族的刻骨仇恨，導(dǎo)致了不可避免的法國(guó)大革命，本書(shū)的主要思想是為了愛(ài)而自我犧牲。書(shū)名中的“雙城”指的是巴黎與倫敦。
故事中將巴黎、倫敦兩個(gè)大城市連結(jié)起來(lái)，圍繞著曼馬內(nèi)特醫(yī)生一家和以德發(fā)日夫婦為首的.圣安東尼區(qū)展開(kāi)故事。小說(shuō)里描寫(xiě)了貴族如何敗壞、如何殘害百姓，人民心中積壓對(duì)貴族的刻骨仇恨，導(dǎo)致了不可避免的法國(guó)大革命。書(shū)名中的“雙城”指的是巴黎與倫敦。
該小說(shuō)創(chuàng)作于19世紀(jì)50年代，正處于英國(guó)資本主義經(jīng)濟(jì)快速發(fā)展時(shí)期，資本主義發(fā)展帶來(lái)的種種罪惡和勞動(dòng)人民生活的貧困化，導(dǎo)致下層群眾中存在極端的憤懣與不滿，英國(guó)社會(huì)處于爆發(fā)一場(chǎng)社會(huì)大革命的邊緣，這與18世紀(jì)末法國(guó)的社會(huì)現(xiàn)狀極為相似，狄更斯通過(guò)對(duì)兩個(gè)城市的對(duì)比，給當(dāng)時(shí)的英國(guó)社會(huì)以借鑒及警醒。
《雙城記》讀后感15
Today, finally finished British writer Dickens's "Shuangcheng", the first time to see this book's name was deeply attracted to the main achievement and my curiosity, not dare to try, it is so mysterious, so heavy...... But I still have the courage to finish reading.
"Shuangcheng" is about 1775 to 1785 this period of confusion in which is the world's most prosperous and the most chaotic, the dirtiest of Britain and France, the two I have been longing for the country, the novel mainly shows the family and friends of the great friendship between Lucy and great love. Lucy is the daughter of a French doctor, Magnet. She was gentle, beautiful, and kind, winning the hearts of many men, including her later husband, Daley, and finally Caton, who was sent to the guillotine for her happiness. Their love is sincere, is great, of course, there is one of the most kind, most gracious people always help them a home, is only a little unrest was bright, he is Luo end, he always cares about Lucy and her family, to his lifelong love in this one family life love them, far better than love myself.
At the same time, he is a conscientious businessman, he is a little conscience, a microcosm of the kind people, an essence, Lucy's husband is to dare French noble descendants, recognising his family sin, a waiver of the Marquis title and inheritance rights, alone to England on their own, he is humble, sincere, and Luo end like a real gentleman. He put his possessions to the French people, but his kindness did not get rewarded, then the storming of the Bastille in 1778, he was a faithful servant of the letter of appeal, back in France to begin his rescue work, but he just set foot on French territory when it was put into prison Fuchs, charges to escape the nobility she charges to trial.
Doctor Magnet, Lucy also came to France to save him, Luo Duangang in France, by Magnet spent the Bastille on rescued him, however, fate always makes good people dogged by bad luck. When he was released that night and was arrested, this is Magnet in prison manuscript by the villain, his son sent to the guillotine, had been secretly protect a Caton play of his extraordinary attorneys, eventually with their own lives, for the Lucy family happiness, always set up a tall figure in Lucy's mind, this is love and love great.
Caton is a very clever mind, insight, very strong occupation lawyer, if today, he can call the law at the time of celebrities, but useless, so he can only use wine to pour all the troubles, and brought him great trauma Born Under A Bad Sign. He is always lazy and corrupt in other people's eyes except, of course, Lucy.
In addition, and Miss Pross, Lucy's loyal servant and friend, Jerry it is bad to good people, brings hope to the people.
It turned out that the French people I had been sighing about were not as perfect as I thought, and in this book they showed more of the evil nature of their revolution.
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